The second CD includes an earlier version of Silvestri's score, recomposed after the recasting of Marty McFly. The first CD includes the complete score as used in the movie, including two original source cues heard briefly in the film. However, on November 24, 2009, Intrada Records released a 2-CD recording of Silvestri's complete score of the first movie, the Back to the Future: Intrada Special Collection, made from the multi-track scoring session masters housed at Universal Studios.
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In addition to the trilogy, Zemeckis enlisted Silvestri's aid on subsequent films, including Who Framed Roger Rabbit, Forrest Gump, and most recently, Beowulf.Īlthough disc-length scores of Part II and Part III were released concurrent with the release of those movies, originally only two of Silvestri's compositions for the first movie - the main theme and the overture - were available, as part of the soundtrack. Silvestri's breakthrough came when he was hired by Robert Zemeckis to compose for the 1984 film Romancing the Stone. Back To The Future Part III (25Th Anniversary Edition) CD1 2015. The Max Steiner Film Music Achievement Award is presented to Alan Silvestri at the gala concert "Hollywood in Vienna" on September 23, 2011.Īlan Silvestri's first work was for the 1972 film The Doberman Gang, and he composed original music for episodes of television shows like Starsky and Hutch, CHiPs and Manimal. Buy Mp3 Music Online / Alan Silvestri / Avengers: Endgame (Original Motion Picture Soundtrack) Alan Silvestri Avengers: Endgame (Original Motion Picture Soundtrack) 4.20. With a 98-piece orchestra (which he dubbed The Outatime Orchestra), the largest assembled to that time for a motion picture score made by Universal Pictures, Silvestri's music underscored the first film and its sequels. He created the film score for all three installments in the Back to the Future trilogy.
Nothing, not a theme, no whistling on the phone, nothing." -Alan SilvestriĪlan Anthony Silvestri (born on Main New York City) is an American 2-time Academy Award-nominated music composer and conductor. " It was interesting because the schedule was so tight and Bob had so many things to be doing that the first day of scoring, unlike anything I've ever done before, Bob, nor anyone else, had heard one note of anything.